Burka (Caucasus)

A burka (Abkhaz: ауапа awápa, Adyghe: кӏакӏо chakwe, Armenian: այծենակաճ aytsenakach, Avar: буртина burtína, Azerbaijani: yapıncı, Chechen: верта verta, Georgian: ნაბადი nabadi, Ingush: ферта ferta, Kabardian: щӏакӏуэ^[1] shakwe, Ossetian: нымæт nymæt Russian: бурка burka, Svan: ღართ ghärt) is a coat made from felt or karakul (the short curly fur of young lambs of the breed of that name).^[2]

Karakul being quite expensive, burkas were usually sewn from felt treated to look like karakul. Burkas are sewn with high, squared off shoulders, and wearers will have a distinctive high-shouldered silhouette.^[3] Chechnya was the main producer of burkas throughout the North Caucasus.

Burkas were part of the customary male garb of various peoples inhabiting the Caucasus region. Burkas were adopted by Russian cavalry, and worn as part of the Russian military uniform from the middle of the 18th century until the 1850s, during the Caucasus War. Vasily Chapayev was portrayed wearing a burka as a part of his military uniform in a 1934 Soviet film.

Other items of traditional Caucasian dress^[4] were the beshmet, a soft inner shirt with a close-fitting collar, and the cherkeska, a collarless outer shirt with a V-shaped opening in the front with long, wide sleeves. Across the cherkeska were the gazerei, a row of semi-ornamental cartridge-cases, sometimes with decorated tops. On the belt was the kinzhal, a long dagger worn diagonally in front. Below were narrow trousers tied below the knee and at the ankle, leggings, and leather boots. Over all this was the large wool burka, fastened at the neck and open at the front. It could be reversed to make a windbreak or used as a blanket. On the head was the bashlyk, a soft cap, or the papakha, a large wool hat.

References

^ Companjen, Françoise; Marácz, László Károly; Versteegh, Lia (2010). Exploring the Caucasus in the 21st Century: Essays on Culture, History and Politics in a Dynamic Context. Amsterdam University Press. p. 39. ISBN 978-90-8964-183-0. Retrieved 7 August 2021.
^ Kaarsberg, Hans Sophus (1996). Among the Kalmyks of the Steppes on Horseback and by Troika: A Journey Made in 1890 : the Travelogue and Ethnography of a Danish Physician in Russia. Bloomington, Ind.: Mongolia Society, Incorporated. p. 121. ISBN 978-0-910980-59-3. Retrieved 7 August 2021.
^ Jaimoukha, Amjad (2010). Circassian Culture and Folklore. London, England: Bennet and Bloom. p. 72. ISBN 978-1-898948-40-7. Circassian male dress was aesthetically designed not only to accentuate the good form of the body, namely narrow waist and broad upper body, but also for convenience and comfort, being well suited for both hot summers and freezing winters
^ Baddeley, John F. "The Rugged Flanks of the Caucasus", 1940, pp125-129

[1] Companjen, Françoise; Marácz, László Károly; Versteegh, Lia (2010). Exploring the Caucasus in the 21st Century: Essays on Culture, History and Politics in a Dynamic Context. Amsterdam University Press. p. 39. ISBN 978-90-8964-183-0. Retrieved 7 August 2021.

[2] Kaarsberg, Hans Sophus (1996). Among the Kalmyks of the Steppes on Horseback and by Troika: A Journey Made in 1890 : the Travelogue and Ethnography of a Danish Physician in Russia. Bloomington, Ind.: Mongolia Society, Incorporated. p. 121. ISBN 978-0-910980-59-3. Retrieved 7 August 2021.

[3] Jaimoukha, Amjad (2010). Circassian Culture and Folklore. London, England: Bennet and Bloom. p. 72. ISBN 978-1-898948-40-7. Circassian male dress was aesthetically designed not only to accentuate the good form of the body, namely narrow waist and broad upper body, but also for convenience and comfort, being well suited for both hot summers and freezing winters

[4] Baddeley, John F. "The Rugged Flanks of the Caucasus", 1940, pp125-129

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See also

References