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Come Sail Away

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For the compilation on 2 CDs, see Come Sail Away – The Styx Anthology.
"Come Sail Away"
Artwork for US and Dutch vinyl releases
Single by Styx
from the album The Grand Illusion
B-side"Put Me On"
ReleasedAugust 1977 (US)[1]
Recorded1977
Genre
Length3:10 (Single Version)
6:07 (Album Version)
4:30 (w/o instrumental)[4]
LabelA&M
Songwriter(s)Dennis DeYoung
Producer(s)Styx
Styx singles chronology
"Crystal Ball"
(1977) 		"Come Sail Away"
(1977) 		"Fooling Yourself (The Angry Young Man)"
(1978)
Alternate cover

"Come Sail Away" is a song by American pop-rock group Styx, written and sung by singer and songwriter Dennis DeYoung and featured on the band's seventh album The Grand Illusion (1977). Upon its release as the lead single from the album, "Come Sail Away" peaked at #8 in January 1978 on the Billboard Hot 100, and helped The Grand Illusion achieve multi-platinum sales in 1978. It is one of the biggest hits of Styx's career.

Background and writing

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Lyrically, the song uses sailing as a metaphor to achieve one's dreams. The lyrics touch on nostalgia of "childhood friends," escapism, and a religious thematic symbolized by "a gathering of angels" singing "a song of hope." The ending lyrics explain a transition from a sailing ship into a starship, by narrating that "they climbed aboard their starship and headed for the skies".

DeYoung revealed on In the Studio with Redbeard (which devoted an entire episode to the making of The Grand Illusion), that he was depressed when he wrote the track after Styx's first two A&M offerings, Equinox and Crystal Ball, sold fewer units than expected after the success of the single "Lady".

Musically, "Come Sail Away" combines a plaintive, ballad-like opening section (including piano and synthesizer interludes) with a bombastic, guitar-heavy second half. In the middle of the second half of the album version is a minute-long synthesizer-heavy instrumental break.

Come Sail Away is in the key of C major.

Personnel

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Reception

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Cash Box said that "a solitary voice introduces the melody to light piano accompaniment" and that then "the pure fury of the drum, guitar and vocal explosion that follows will pleasantly startle expectations."[5] Record World said that "The melody here is most appealing; the message of escape seems just right for the spirit of the seventies."[6]

Classic Rock critic Malcolm Dome rated "Come Sail Away" as Styx's 7th greatest song, calling it "one of the all time great power ballads."[7]

In the United States, "Come Sail Away" reached #8 on Billboard and spent two weeks at #9 on Cash Box. The song also peaked at #9 in Canada. On superstation WLS-AM in their home city of Chicago, the song spent two weeks at #3[8] and was ranked at #26 for the year.[9]

Charts

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Although the song hit its chart peak in 1978, "Come Sail Away" has had tremendous longevity in popular culture. It was arguably as popular in the 1980s (and in subsequent decades) as it was when released in the late 1970s.

Films

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The song appears on trailers and TV spots for the films Atlantis: The Lost Empire, The Wild, and Big Daddy. It also appeared as a cover by The Trophy Fire in the 2012 movie Nitro Circus: The Movie.[15] In the 2018 Netflix release Like Father the song is the choice of the main characters Rachel and Harry for their winning performance in the cruise karaoke championship.

In the 2019 film, Stuber, the song is used during an action sequence later on in the film. It is referenced earlier in the film as well.

The song was used in the homecoming dance scene of The Virgin Suicides.

Television

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The song appears as a plot point to the South Park episode "Cartman's Mom Is Still a Dirty Slut." If Eric Cartman hears any portion of the song, he feels a compulsion to sing the rest of it. On Chef Aid: The South Park Album, he does a cover of the song.

The song scored the end of the pilot episode of Freaks and Geeks, in which Sam Weir summons the courage to ask a popular girl to slow dance. Though she agrees, the guitar-heavy second half kicks in before they can start slow dancing as originally intended.

A version of the song performed by Aimee Mann is used in the TV show Community in the Season 5 episode "Geothermal Escapism" for the nautical departure of Donald Glover's Troy Barnes. In the first season, he'd confessed to crying upon hearing the original version of the song.

The song also appears in ER's season 7, episode 19 ("Sailing Away"), where Dr. Greene sings along.

In Generation Kill several of the Marines sing the chorus as they travel.

The song is parodied as "Please Say You'll Stay" in the Fish Hooks episode "Labor of Love".

The song was featured in The Goldbergs season 1, episode 2 ("Daddy Daughter Day"). The song again appears in season 5, episode 4 ("Revenge o' the Nerds"), sung by Erica Goldberg at a Revenge of the Nerds-style musical finale.

The song is performed by the New Directions on an episode of the television show Glee (Season 6, Episode 11).

The song is performed as part of a Broadway musical in Mozart in the Jungle's first episode. Hailey plays the oboe section of the piece along with Cynthia at the cello. (Season 1, Episode 1)

In the Modern Family episode "Spring-a-Ding-Fling," a parody of the song is sung by realtor Phil Dunphy, played by Ty Burrell.

The song is performed by actress Olivia Holt in the season-one finale of Cloak & Dagger (episode 10).

The song was featured in the end credits of the Family Guy episode "Carny Knowledge".

A drunken karaoke rendition of the song is performed by brother and sister Anna Collier and Tripp Collier in Death and Other Details (Season 1, Episode 6).

Other

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Me First and the Gimme Gimmes released a cover on their album Ruin Jonny's Bar Mitzvah, which was featured in commercials for season 3 of the Discovery Channel's Deadliest Catch in 2005.

Patty Pravo covered it as "Dai Sali Su" on her 1978 album Miss Italia.

References

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  1. ^ "Styx singles". Archived from the original on 2023-11-02. Retrieved 2023-11-02.
  2. ^ Breihan, Tom (November 27, 2019). "The Number Ones: Player's "Baby Come Back"". Stereogum. Archived from the original on December 6, 2022. Retrieved July 4, 2023. Styx's majestic, melodramatic, utterly preposterous prog-pop opus "Come Sail Away" peaked at #8 behind "Baby Come Back".
  3. ^ Breithaupt, Don; Breithaupt, Jeff (July 17, 2000). "Artificial Heart: Corporate Rock". Night Moves - Pop Music in the Late 70s. St. Martin's Griffin. p. 59. ISBN 978-0-312-19821-3.
  4. ^ "Styx - Come Sail Away (Official Video)". YouTube. Archived from the original on 2021-12-13. Retrieved 23 April 2021.
  5. ^ "CashBox Singles Reviews" (PDF). Cash Box. September 10, 1977. p. 13. Archived (PDF) from the original on 2021-03-08. Retrieved 2021-12-26.
  6. ^ "Hits of the Week" (PDF). Record World. September 17, 1977. p. 1. Archived (PDF) from the original on 2023-02-22. Retrieved 2023-02-16.
  7. ^ Dome, Malcolm (February 18, 2022). "The 10 best Styx songs". Classic Rock. Louder Music. Archived from the original on 2022-06-19. Retrieved 2022-06-19.
  8. ^ "wls123177". Oldiesloon.com. Archived from the original on 21 February 2020. Retrieved 23 April 2021.
  9. ^ "wls89of77". Oldiesloon.com. Archived from the original on 30 January 2020. Retrieved 23 April 2021.
  10. ^ "Top RPM Singles: Issue 5513a." RPM. Library and Archives Canada. Retrieved May 31, 2024.
  11. ^ Nanda Lwin (1999). Top 40 Hits: The Essential Chart Guide. Music Data Canada. ISBN 1-896594-13-1.
  12. ^ "Styx Chart History (Hot 100)". Billboard. Retrieved May 31, 2024.
  13. ^ "Top RPM Singles: Issue 5502a." RPM. Library and Archives Canada. Retrieved May 31, 2024.
  14. ^ Whitburn, Joel (1999). Pop Annual. Menomonee Falls, Wisconsin: Record Research Inc. ISBN 0-89820-142-X.
  15. ^ The Trophy Fire on Facebook
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