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Vague (club)

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Coordinates: 53°47′56″N 1°33′11″W / 53.799°N 1.553°W / 53.799; -1.553
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53°47′56″N 1°33′11″W / 53.799°N 1.553°W / 53.799; -1.553

Vague
Map
AddressThe Warehouse, 19-21 Somers Street, LS1 2RG
LocationLeeds, West Yorkshire, England
OperatorFryer, Mason and Raphael
TypeClub night
Genre(s)Dance Music
Capacity750 [1]
Opened1993–1996

Vague[2] was an influential art club night held at The Warehouse nightclub[3] in Leeds, West Yorkshire, England, from 1993 to 1996.

History

[edit]

Vague metamorphosed from an earlier proto-club night called the Kit Kat Club at Arcadia operated by Suzy Mason[4] and Paul Fryer[5] (former lead-singer of eighties electropop group Bazooka Joe).[6] Fryer and Mason then in brought in Nick Raphael,[7] and debuted Vague at the High Flyers club in Leeds on 10 April 1993, before moving to The Warehouse a month later. Vague blended kitsch with the artistic and theatrical; its outlandish theme and costume parties included a recreation of a day-night out at Blackpool Pleasure Beach only inside the club that was believed to have been filled entirely with beach sand, parasols and miniature fairground rides, a retake on royal garden parties that was held annually and an evening with Vera Duckworth a fictional character from the British soap opera Coronation Street.

The club is credited as being the first in the UK to advertise itself as "mixed"[8]– i.e. for homosexual, heterosexual and polysexual patrons equally, however the claim is not entirely true for example the promoter Leigh Bowery and creator of the Taboo Club night in London in 1985 could be credited with embracing poly-sexual identities in club culture at a much earlier date.[citation needed] Although the vetting of customers on the door at Vague was notoriously strict,[9] for example it was rumoured on some occasions that visiting male heterosexual customers were asked to dress up as a woman, then come back to the club or passionately kiss another male customer in front of door staff, to prove they held no prejudices (a rumour, but never my experience as a heterosexual male - the door staff were always lovingly tolerant of gender and sexuality differences, but Madame JoJo [such a nice person - harsh but fair] - was always delighted to receive a sherbet fountain [not a euphemism] as a sweetener to help accept us non-gay chaps into the club. I hung out with the most flamboyant, spectacular and beautiful queens, yet still met a female, heterosexual partner in the club, which underlines the wonderfully inclusive and eclectic nature of the place). Once inside, the atmosphere was one of tolerance, hedonism, and sexuality.

The British music newspaper Melody Maker featured Vague in 1994 in a review called "For Frock's Sake" and described the club as a "Dance Equivalent of Andy Warhol's The Factory",[10] whilst the Daily Telegraph journalist Tim Willis depicted the scene inside of the club as one of "Bacchanalian excess" for the feature "Up North Where Anything Goes".[11] The pioneering ethos that was behind Vague is what made it so successful years before any other club in the UK adopted a similar safe-space approach, according to Richard Smith speaking in 2006 then editor of Britain's leading gay publication Gay Times on the banning by the UK government of gay straight door policies he stated "one of the most important clubs of the 90s was Trannies With Attitude Vague in Leeds. They – quite consciously – started and worked at building up a big mixed, polysexual club night, and succeeded”.[12] The notoriety of Vague during this period helped to put Leeds firmly on the international club scene radar along with the city's other major house music venue, Back to Basics.[13]

The Vague sound

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The club played a mixture of Handbag house, hard house, hard trance and Classic and electronic Disco music played on the main dance floor, with a more eclectic selection of music played on the upper floor such as Glam punk, Musicals.Rare Soul and Jazz Styles. Resident DJs TWA particularly championed "Techno Disco" or "tesko" (for legal reasons) a brand of disco house at the club. A number of Vague anthems included TWA's Disco Biscuit [14] and Nasty Girls,[15] Atlantic Ocean's Waterfall, Björk's Big Time Sensuality,[16] Lisa Lisa Cult Jam's Let the Beat Hit 'Em, WestBam's Wizards of the Sonic, Fierce Ruling Diva's Get Funky, The Lisa Marie Experience's version of Keep on Jumpin' Keep on Jumpin', Gat Decor's Passion, and Alison Limerick's Where Love Lives. TESKO has been defined as Techno with sex put into it; in other words encapsulating the power of Techno then adding in Funk and the love of Classic Disco.

DJs

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Original resident DJs included Fryer and Raphael as "TWA"[17](styled as "Trannies With Attitude"[18][19] or "The World is Androgynous") and Phil Faversham,[20] later residents included Anne Savage Curtis Zack, Daisy & Havoc. Guest DJ's appearing at the club have included Pete Tong for a live recording of the BBC Radio 1 Essential Mix, Guy Williams,[21] Princess Julia,[22] Paulette and Billy da Kid (a.k.a. Billy Hanshaw)

Door hosts

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The host who ran the door at Vague was ‘Madame JoJo’, also known as ‘Lady JoJo Queen of the GoGo’. She was also a member of TWA and featured in the Music Video for their song ‘Nasty Girls’.[23] As well as JoJo - the other, was Chico, think an Edinburgh accent maybe? Tall lad, very stylish and flamboyant he was probably the face of the door as we remember.

Final year

[edit]

In April 1996 a boxed double compilation CD - Vague - Now & Then - was released, its accompanying booklet detailing the history of the club.[24] The night ended after Vague[25] celebrated its third birthday at the Warehouse on 14 September 1996. The organizers then went on to pursue other careers in creative industries, Nick Raphael left to become label manager at FFRR Records and is now president of Capitol Records UK, Paul Fryer moved to London and worked for Fendi as Musical director from 2000 to 2005,[26] he has since carved out a highly successful career as an artist with his work collected by Damien Hirst and Karl Lagerfeld,[27] Suzy Mason partnering Kas Shaw continued in Club Promotion with a similar styled mixed night - called "I-Spy" [28] held at Club NATO in Leeds city centre, the pair then transferred back to the Warehouse on 12 April 1997, soon afterwards it was renamed "Speed Queen," [29] which ran for eleven years before closing in 2008. Speed Queen at the Warehouse was one of three clubs featured in a November 1997 BBC local documentary about Leeds nightlife.[30] Mason subsequently went on to a career in academia and is now a Senior Researcher at the Leeds College of Art.[31] and Phil Faversham went on to work at Ministry of Sound as Club Development Director. Madam JoJo went on to pursue a career in Radio initially with dance music station Kiss 105 then later with Galaxy 105 in Leeds.[32]

Influence on LGTB discourse

[edit]

The concept of Vague[33] has since been the subject of LGBT discourse and academic research by Dr Kevin Almond at the University of Huddersfield UK through his friendship with Suzy Mason and attendance at Vague, his contributing chapter entitled "Masquerade in Clubland: A Safe Space for Glamour"[34] features in the book Visual Culture and Gender[35] edited by Professor Annette Burfoot[36] at Queen's University Canada. The club and TWA also featured in the book Drag: A History of Female Impersonation in the Performing Arts, A concise history of the drag tradition—from 13th century to today (1995) by Roger Baker, New York University Press.[37]

Notes

[edit]

The group TWA also included a third member Paul Dillon,[38] one of the founder members of Leeds post-punk group The Cassandra Complex

See also

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References

[edit]
  1. ^ "The Club KingsThe Warehouse, Leeds - DMC World Magazine". DMC World Magazine. DMC Media, 2017. 18 June 2010. Retrieved 25 July 2017.
  2. ^ Hicken, Stacey. "TCT4 - Interview: SpeedQueen". 9 August 2013. The City Talking Leeds. Archived from the original on 6 June 2014. Retrieved 5 June 2014.
  3. ^ Caryl, Kristan. "The Warehouse at 33 Then & Now". 19 March 2012. Ibiza Voice.com. Retrieved 28 February 2015.
  4. ^ "The Warehouse: Leeds nightclub memories". 28 May 2010. Yorkshire Evening Post Newspaper. Retrieved 5 June 2014.
  5. ^ Newman, Martin. "Art: Paul Fryer's Pieta at the Cathedral of Gap". 15 April 2009. The Daily Mirror Newspaper. Retrieved 1 March 2015.
  6. ^ "Artist: Bazooka Joe". 1989. Discogs.com. Retrieved 2 March 2015.
  7. ^ Davis, Johnny (11 October 2008). "White Collar Rock". 12 October 2008. The Guardian Newspaper. Retrieved 28 February 2015.
  8. ^ Collard, James (19 October 1994). "United Kingdom of Dance". 20 October 1994. The Daily Telegraph Newspaper. Retrieved 5 June 2014.
  9. ^ Almond, Kevin Dr. "Masquerade in Clubland: A Safe Space for Glamour" (PDF). 2011. Routledge Oxford UK. Archived from the original (PDF) on 2 April 2015. Retrieved 28 February 2015.
  10. ^ "The Maker Crew spent last weekend sizing up the nations most exciting clubs". 22 January 1994. Melody Maker Music Newspaper. Retrieved 1 March 2015.
  11. ^ Almond, Kevin Dr. "Diversity in Clubland: A Safe Space for Glamour" (PDF). 2011. University of Huddersfield UK, pp9. Archived from the original (PDF) on 2 April 2015. Retrieved 2 March 2015.
  12. ^ Bui, Paul. "Gay straight door policies banned in the UK". 6 March 2006. In the Mix Music Magazine Australia. Archived from the original on 2 April 2015. Retrieved 2 March 2015.
  13. ^ Haj-Najafi, Daryoush. "Invisible Hand: Hip, Leeds". 2 December 2011. Vice Webzine. Retrieved 3 March 2015.
  14. ^ "Various - Vague (Now & Then)". Discogs. EMI Records Ltd. 2000. Retrieved 26 July 2017.
  15. ^ Betts, Graham (2006). Complete UK hit singles 1952-2006. London: Collins. p. 858. ISBN 9780007200771.
  16. ^ "Various - Vague (Now & Then)". Discogs. EMI Records Ltd. 2000. Retrieved 26 July 2017.
  17. ^ "Discogs Artist Credits". 2014. discogs.com. Retrieved 5 June 2014.
  18. ^ Flick, Larry (7 January 1995). "Flying with TWA". 7 January 1995. Billboard Magazine. Retrieved 28 February 2015.
  19. ^ Smith, Richard (2016). "Seduced and Abandoned". Essays on Gay Men and Popular Music. Bloomsbury Academic: 53–58. doi:10.5040/9781474286992.ch-011.
  20. ^ "Meet the Team". 2014. Hed Kandi. Archived from the original on 7 June 2014. Retrieved 5 June 2014.
  21. ^ Williams, Guy. "Guy Williams Biography". 2015. Resident Advisor Music Magazine. Retrieved 2 March 2015.
  22. ^ "Princess Julia Artist". 2015. Staying Around Music Magazine. Retrieved 2 March 2015.
  23. ^ "Rachel McAlley: JoJo". leedscitymagazine.co.uk. Leeds City Magazine, 2017. Retrieved 25 July 2017.
  24. ^ "Vague Now & Then". 15 April 1996. Discogs. Retrieved 2 March 2015.
  25. ^ Guest Hayden, Anthony. "Paul Fryer In Conversation With Anthony Haden-guest". 5 November 2008. Saatchi Art Magazine. Archived from the original on 2 April 2015. Retrieved 1 March 2015.
  26. ^ Newman, Martin. "Art: Paul Fryer's Pieta at the Cathedral of Gap". 15 April 2009. The Daily Mirror Newspaper. Retrieved 2 March 2015.
  27. ^ "The artist collected by Damien Hirst and Karl Lagerfeld". 23 March 2012. Phaidon. Retrieved 2 March 2015.
  28. ^ Byrnes, Bernie C.; Chatterton, Paul; Hollands, Robert; Read, Cait (1 January 2001). The London of the North? Youth cultures, urban change and nightlife in Leeds. Centre for Urban and Regional Development Studies, University of Newcastle. p. 71.
  29. ^ Byrnes, Bernie C.; Chatterton, Paul; Hollands, Robert; Read, Cait (1 January 2001). The London of the North? Youth cultures, urban change and nightlife in Leeds. Centre for Urban and Regional Development Studies, University of Newcastle. p. 71.
  30. ^ Close Up North: "Club City" (BBC, 29 November 1997)
  31. ^ "Senior Research Staff". 2015. Leeds College of Art. Archived from the original on 2 April 2015. Retrieved 2 March 2015.
  32. ^ "Rachel McAlley: JoJo". leedscitymagazine.co.uk. Leeds City Magazine, 2017. Retrieved 25 July 2017.
  33. ^ Broughton, Brewster, Frank, Bill (December 2007). Last Night a DJ Saved my Life: The History of the Disc Jockey. Grove Press UK. ISBN 9781555846114. Retrieved 1 March 2015. {{cite book}}: |website= ignored (help)CS1 maint: multiple names: authors list (link)
  34. ^ Almond, Kevin Dr. "Masquerade In Clubland a Safe Space for Glamour". 2015. Routledge Oxford. Archived from the original on 2 April 2015. Retrieved 1 March 2015.
  35. ^ Burfoot, Annette Professor. "Visual Culture and Gender". 2015. Routledge Oxford UK. Retrieved 1 March 2015.
  36. ^ "Queens University Department of Sociology". 2015. Queens University Canada. Retrieved 1 March 2015.
  37. ^ Baker, Roger (1994). Drag : a history of female impersonation in the performing arts. New York, N.Y.: New York University Press. p. 255. ISBN 9780814712542.
  38. ^ "Artist: TWA". Discogs. Zink Media, Inc. 2017. Retrieved 26 July 2017.

Sources

[edit]
  • Baker, Roger (1994). Drag : a history of female impersonation in the performing arts. New York, N.Y.: New York University Press. ISBN 9780814712542
  • Betts, Graham (2006). Complete UK hit singles 1952–2006. London: Collins. ISBN 9780007200771
  • Broughton, Brewster, Frank, Bill. (2007), "Last Night a DJ Saved my Life: The History of the Disc Jockey". Grove Press UK. ISBN 0-7472-6230-6
  • Burfoot, Annette, (2014), Visual Culture and Gender: Critical Concepts in Media and Cultural Studies, Routledge, ISBN 0415830044
  • Byrnes, Bernie C.; Chatterton, Paul; Hollands, Robert; Read, Cait (2001). The London of the North? Youth cultures, urban change and nightlife in Leeds. Centre for Urban and Regional Development Studies, University of Newcastle.
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